DonateEvery November we learn that we have a growing community of very talented Arlington writers – we even have a local author collection to prove this! The best way to show our admiration is by reminding our future award winners that the library is the perfect place to start working on creative projects!
Some of our services include:
- Study Rooms
- A quiet floor with tables (visit the second floor)
- Free Wi-Fi
- Laptops and Chromebooks
- Hotspots
- Printer, copier, and scanner
- A Book Pack on writing
- Inspiration from our ever-growing collections
- Helpful databases for any research endeavor
One of our most important resources is our extensive collection! Here are a couple of titles to help with your writing projects, be it for Nanowrimo in November, Camp Nanowrimo in April and July, or for your personal growth as a writer. Enjoy!
Refuse to be done : how to write and rewrite a novel in three drafts / Matt Bell
They say writing is rewriting. So why does the second part get such short shrift? Refuse To Be Done will guide you through every step of the novel writing process, from getting started on those first pages to the last tips for making your final draft even tighter and stronger. From lauded writer and teacher Matt Bell, Refuse to Be Done is encouraging and intensely practical, focusing always on specific rewriting tasks, techniques, and activities for every stage of the process. You won’t find bromides here about the “the writing Muse.” Instead, Bell breaks down the writing process in three sections. In the first, Bell shares a bounty of tactics, all meant to push the writer through the initial conception and get words on the page. The second focuses on reworking the narrative through outlining, modeling, and rewriting. The third and final section offers a layered approach to polishing through a checklist of operations, breaking the daunting project of final revisions into many small, achievable tasks. Whether you are a first time novelist or a veteran writer, you will find an abundance of strategies here to help motivate you and shake up your revision process, allowing you to approach your work, day after day and month after month, with fresh eyes and sharp new tools.
Craft in the real world : rethinking fiction writing and workshopping / Matthew Salesses
The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing–including plot, character, conflict, structure, and believability–and aspects of workshop–including the silenced writer and the imagined reader–Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces?
Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin’s A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, “When we write fiction, we write the world.
Writing in the dark / Tim Waggoner
In this comprehensive textbook devoted to the craft of writing horror fiction, award-winning author Tim Waggoner draws on thirty years’ experience as a writer and teacher. Writing in the Dark offers advice, guidance, and insights on how to compose horror stories and novels that are original, frightening, entertaining, and well-written. Waggoner covers a wide range of topics, among them why horror matters, building viable mongers, generating ideas and plotlines, how to stylize narratives in compelling ways, the physiology of fear, the art of suspense, avoiding clichés, marketing your horror writing, and much more. Each chapter includes tips from some of the best horror professionals working today, such as Joe Hill, Ellen Datlow, Joe R. Lansdale, Maurice Broaddus, Yvette Tan, Thomas Ligotti, Jonathan Maberry, Edward Lee, and John Shirley. There are also appendices with critical reflections, pointers on the writing process, ideas for characters and story arcs, and material for further research. Writing in the Dark derives from Waggoner’s longtime blog of the same name. Suitable for classroom use, intensive study, and bedside reading, this essential manual will appeal to new authors at the beginning of their career as well as veterans of the horror genre who want to brush up on their technique.
Before and after the book deal : a writer’s guide to finishing, publishing, promoting and surviving your first book / Courtney Maum.
There are countless books on the market about how to write better but very few books on how to break into the marketplace with your first book. Cutting through the noise (and very mixed advice) online, while both dispelling rumors and remaining positive, Courtney Maum’s Before and After the Book Deal is a one-of-a-kind resource that can help you get your book published.
Before and After the Book Deal: A Writer’s Guide to Finishing, Publishing, Promoting, and Surviving Your First Book has over 150 contributors from all walks of the industry, including international bestselling authors Anthony Doerr, Roxane Gay, Garth Greenwell, Lisa Ko, R. O. Kwon, Rebecca Makkai, and Ottessa Moshfegh, alongside cult favorites Sarah Gerard, Melissa Febos, Mitchell S. Jackson, and Mira Jacob.
Agents, film scouts, film producers, translators, disability and minority activists, and power agents and editors also weigh in, offering advice and sharing intimate anecdotes about even the most taboo topics in the industry. Their wisdom will help aspiring authors find a foothold in the publishing world and navigate the challenges of life before and after publication with sanity and grace.
Are MFA programs worth the time and money? How do people actually sit down and finish a novel? Did you get a good advance? What do you do when you feel envious of other writers? And why the heck aren’t your friends saying anything about your book? Covering questions ranging from the logistical to the existential (and everything in between), Before and After the Book Deal is the definitive guide for anyone who has ever wanted to know what it’s really like to be an author.
Body work : the radical power of personal narrative / Melissa Febos
In this bold and exhilarating mix of memoir and master class, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller’s life and the questions which run through it.
How might we go about capturing on the page the relationships that have formed us? How do we write about our bodies, their desires and traumas? What does it mean for an author’s way of writing, or living, to be dismissed as “navel-gazing”—or else hailed as “so brave, so raw”? And to whom, in the end, do our most intimate stories belong?
Drawing on her own path from aspiring writer to acclaimed author and writing professor—via addiction and recovery, sex work and Harvard night school—Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas—and occasional notes of caution—to anyone who has ever hoped to see themselves in a story.
Dreyer’s English : an utterly correct guide to clarity and style / Benjamin Dreyer.
As authoritative as it is amusing, this book distills everything Benjamin Dreyer has learned from the hundreds of books he has copyedited, including works by Elizabeth Strout, E. L. Doctorow, and Frank Rich, into a useful guide not just for writers but for everyone who wants to put their best foot forward in writing prose. Dreyer offers lessons on the ins and outs of punctuation and grammar, including how to navigate the words he calls “the confusables,” like tricky homophones; the myriad ways to use (and misuse) a comma; and how to recognize–though not necessarily do away with–the passive voice. (Hint: If you can plausibly add “by zombies” to the end of a sentence, it’s passive.) People are sharing their writing more than ever–on blogs, on Twitter–and this book lays out, clearly and comprehensibly, everything writers can do to keep readers focused on the real reason writers write: to communicate their ideas clearly and effectively. Chock-full of advice, insider wisdom, and fun facts on the rules (and nonrules) of the English language, this book will prove invaluable to everyone who wants to shore up their writing skills, mandatory for people who spend their time editing and shaping other people’s prose, and–perhaps best of all–an utter treat for anyone who simply revels in language.
Want to get published and paid for your writing? Let Writer’s Market 2020 guide you through the process with thousands of publishing opportunities for writers, including listings for book publishers, consumer and trade magazines, contests and awards, and literary agents–as well as new playwriting and screenwriting sections. These listings feature contact and submission information to help writers get their work published.
Beyond the listings, you’ll find articles devoted to the business and promotion of writing. Discover 20 literary agents actively seeking writers and their writing, how to develop an author brand, and overlooked funds for writers. This edition also includes the ever-popular pay-rate chart and book publisher subject index!
You also gain access to:
* Lists of professional writing organizations
* Sample query letters
* How to land a six-figure book deal
The elements of style / by William Strunk, Jr. and E.B. White ; illustrated by Maira Kalman
Every English writer knows Strunk and White’s The Elements of Style. The book’s mantra, make every word tell, is still on point. This much-loved classic, now in its fourth edition, will forever be the go-to guide when in need of a hint to make a turn of phrase clearer or a reminder on how to enliven prose with the active voice. The only style manual to ever appear on bestseller lists has explained to millions of readers the basic principals of plain English, and Maira Kalman’s fifty-seven exquisite illustrations give the revered work a jolt of new energy, making the learning experience more colorful and clear.
The writing life / Annie Dillard
From Pulitzer Prize-winning Annie Dillard, a collection that illuminates the dedication and daring that characterizes a writer’s life.
In these short essays, Annie Dillard—the author of Pilgrim at Tinker Creek and An American Childhood—illuminates the dedication, absurdity, and daring that characterize the existence of a writer. A moving account of Dillard’s own experiences while writing her works, The Writing Life offers deep insight into one of the most mysterious professions.
Zen in the art of writing / Ray Bradbury
Zest. Gusto. Curiosity. These are the qualities every writer must have, as well as a spirit of adventure. In this exuberant book, the incomparable Ray Bradbury shares the wisdom, experience, and excitement of a lifetime of writing. Here are practical tips on the art of writing from a master of the craft—everything from finding original ideas to developing your own voice and style—as well as the inside story of Bradbury’s own remarkable career as a prolific author of novels, stories, poems, films, and plays.
Zen in the Art of Writing is more than just a how-to manual for the would-be writer: it is a celebration of the act of writing itself that will delight, impassion, and inspire the writer in you. Bradbury encourages us to follow the unique path of our instincts and enthusiasms to the place where our inner genius dwells, and he shows that success as a writer depends on how well you know one subject: your own life.
Hooked : write fiction that grabs readers at page one and never lets them go / Les Edgerton
The first pages are the #1 key to acceptance or rejection of manuscripts–most agents and editors claim to make their decision on a manuscript after the very first page, which means that no writer can afford to have a weak story beginning
*The first and only fiction-writing book that focuses exclusively on beginnings–no other book on the market addresses story beginnings in a comprehensive manner
Agents and editors agree: Improper story beginnings are the single biggest barrier to publication. Why? If a novel or short story has a bad beginning, then no one will keep reading. It’s just that simple. Hooked provides readers with a detailed understanding of what a beginning must include (setup, backstory, the inciting incident, etc.); instruction on how to successfully develop the story problem; tips on how to correct common beginning mistakes; exclusive insider advice from agents, acquiring book editors, and literary journal editors; and much more.
Sin and syntax : how to craft wicked good prose / Constance Hale
Today’s writers need more spunk than Strunk: whether it’s the Great American e-mail, Madison Avenue advertising, or Grammy Award-winning rap lyrics, memorable writing must jump off the page. Copy veteran Constance Hale is on a mission to make creative communication, both the lyrical and the unlawful, an option for everyone.
With its crisp, witty tone, Sin and Syntax covers grammar’s ground rules while revealing countless unconventional syntax secrets (such as how to use–Gasp!–interjections or when to pepper your prose with slang) that make for sinfully good writing. Discover how to:
*Distinguish between words that are “pearls” and words that are “potatoes”
* Avoid “couch potato thinking” and “commitment phobia” when choosing verbs
* Use literary devices such as onomatopoeia, alliteration, and metaphor (and understand what you’re doing)
Everyone needs to know how to write stylish prose–students, professionals, and seasoned writers alike. Whether you’re writing to sell, shock, or just sing, Sin and Syntax is the guide you need to improve your command of the English language.
The kick-ass writer : 1001 ways to write great fiction, get published & earn your audience / Chuck Wendig
The journey to become a successful writer is long, fraught with peril, and filled with difficult questions: How do I write dialogue? How do I build suspense? What should I know about query letters? How do I start?
The best way to answer these questions is to ditch your uncertainty and transform yourself into a KICK-ASS writer. This new book from award-winning author Chuck Wendig combines the best of his eye-opening writing instruction–previously available in e-book form only–with all-new insights into writing and publishing. It’s an explosive broadside of gritty advice that will destroy your fears, clear the path, and help you find your voice, your story, and your audience.
You’ll explore the fundamentals of writing, learn how to obtain publication, and master the skills you need to build an army of dedicated fans. No task is too large or small for the kick-ass writer. With his trademark acerbic wit and gut-punch humor, Wendig will explain:
* How to build suspense, craft characters, and defeat writer’s block.
* How to write a scene, an ending–even a sentence.
* Blogging techniques, social media skills, and crowdfunding.
* How to write a query letter, talk to agents, and deal with failure–and success!
Whether you’re just starting out or you need one more push to get you over the top, two things are for certain–a kick-ass writer never quits, and chuck Wendig won’t let you down in this high-octane guide to becoming the writer you were born to be.
Bird by bird : some instructions on writing and life / Anne Lamott
Thirty years ago my older brother, who was ten years old at the time, was trying to get a report on birds written that he’d had three months to write. [It] was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my brother’s shoulder, and said. ‘Bird by bird, buddy. Just take it bird by bird.'”
With this basic instruction always in mind, Anne Lamott returns to offer us a new gift: a step-by-step guide on how to write and on how to manage the writer’s life. From “Getting Started,’ with “Short Assignments,” through “Shitty First Drafts,” “Character,” “Plot,” “Dialogue.” all the way from “False Starts” to “How Do You Know When You’re Done?” Lamott encourages, instructs, and inspires. She discusses “Writers Block,” “Writing Groups,” and “Publication.” Bracingly honest, she is also one of the funniest people alive.
If you have ever wondered what it takes to be a writer, what it means to be a writer, what the contents of your school lunches said about what your parents were really like, this book is for you. From faith, love, and grace to pain, jealousy, and fear, Lamott insists that you keep your eyes open, and then shows you how to survive. And always, from the life of the artist she turns to the art of life.
Story genius : how to use brain science to go beyond outlining and write a riveting novel (before you waste three years writing 327 pages that go nowhere) / Lisa Cron
Story Genius is a foolproof program that saves writers from penning hundreds of pages only to realize that something’s not working and they have to start again. Informed by story consultant Lisa Cron’s science-based insights into how story structure is built into the architecture of the brain, this guide shows writers how to plumb the nitty-gritty details of their raw idea to organically generate a story scene by scene. Once writers reach the end of Cron’s program, they will have both a blueprint that works and plenty of compelling writing suitable for their finished novel–allowing them to write forward with confidence.
On writing well : the classic guide to writing nonfiction / William Zinsser
On Writing Well has been praised for its sound advice, its clarity and the warmth of its style. It is a book for everybody who wants to learn how to write or who needs to do some writing to get through the day, as almost everybody does in the age of e-mail and the Internet. Whether you want to write about people or places, science and technology, business, sports, the arts or about yourself in the increasingly popular memoir genre, On Writing Well offers you fundamental principles as well as the insights of a distinguished writer and teacher. With more than a million copies sold, this volume has stood the test of time and remains a valuable resource for writers and would-be writers.
Self-editing for fiction writers : how to edit yourself into print / Renni Browne and David King ; illustrations by George Booth
Hundreds of books have been written on the art of writing. Here at last is a book by two professional editors to teach writers the techniques of the editing trade that turn promising manuscripts into published novels and short stories.
In this completely revised and updated second edition, Renni Browne and Dave King teach you, the writer, how to apply the editing techniques they have developed to your own work. Chapters on dialogue, exposition, point of view, interior monologue, and other techniques take you through the same processes an expert editor would go through to perfect your manuscript. Each point is illustrated with examples, many drawn from the hundreds of books Browne and King have edited.
On writing : a memoir of the craft / by Stephen King
“Long live the King” hailed Entertainment Weekly upon the publication of Stephen King’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the trade every writer must have. King’s advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported near-fatal accident in 1999 — and how the inextricable link between writing and living spurred his recovery. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it — fans, writers, and anyone who loves a great story well told.
Writing the breakout novel / Donald Maass ; foreword by Anne Perry
Maybe you’re a first-time novelist looking for practical guidance. Maybe you’ve already been published, but your latest effort is stuck in mid-list limbo. Whatever the case may be, author and literary agent Donald Maass can show you how to take your prose to the next level and write a breakout novel – one that rises out of obscurity and hits the best-seller lists.
Maass details the elements that all breakout novels share – regardless of genre – then shows you writing techniques that can make your own books stand out and succeed in a crowded marketplace.
You’ll learn to:
– establish a powerful and sweeping sense of time and place
– weave subplots into the main action for a complex, engrossing story
– create larger-than-life characters that step right off the page
– explore universal themes that will interest a broad audience of readers
– sustain a high degree of narrative tension from start to finish
– develop an inspired premise that sets your novel apart from the competition
Then, using examples from the recent works of several best-selling authors – including novelist Anne Perry – Maass illustrates methods for upping the ante in every aspect of your novel writing. You’ll capture the eye of an agent, generate publisher interest and lay the foundation for a promising career.
The writing life : writers on how they think and work : a collection from the Washington post book world / edited and with an introduction by Marie Arana
Featuring a gathering of more than fifty of contemporary literature’s finest voices, this volume will enchant, move, and inspire readers with its tales of The Writing Life. In it, authors divulge professional secrets: how they first discovered they were writers, how they work, how they deal with the myriad frustrations and delights a writer’s life affords. Culled from ten years of the distinguished Washington Post column of the same name, The Writing Life highlights an eclectic group of luminaries who have wildly varied stories to tell, but who share this singularly beguiling career. Here are their pleasures as well as their peeves; revelations of their deepest fears; dramas of triumphs and failures; insights into the demands and rewards.
Each piece is accompanied by a brief and vivid biography of the writer by Washington Post Book World editor Marie Arana who also provides an introduction to the collection. The result is a rare view from the inside: a close examination of writers’ concerns about the creative process and the place of literature in America. For anyone interested in the making of fiction and nonfiction, here is a fascinating vantage on the writer’s world — an indispensable guide to the craft.