Donate
Just like Home / Sarah Gailey
Just Like Home is a darkly gothic thriller from nationally bestselling author Sarah Gailey, perfect for fans of Netflix’s The Haunting of Hill House as well as HBO’s true crime masterpiece I’ll Be Gone in the Dark. “Come home.” Vera’s mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories – she’s come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there, beneath the house he’d built for his family. Coming home is hard enough for Vera, and to make things worse, she and her mother aren’t alone. A parasitic artist has moved into the guest house out back and is slowly stripping Vera’s childhood for spare parts. He insists that he isn’t the one leaving notes around the house in her father’s handwriting… but who else could it possibly be? There are secrets yet undiscovered in the foundations of the notorious Crowder House. Vera must face them and find out for herself just how deep the rot goes.
The Spite House / Johnny Compton
A terrifying Gothic thriller about grief and death and the depths of a father’s love, Johnny Compton’s The Spite House is a stunning debut by a horror master in the making–The Babadook meets A Headful of Ghosts in Texas Hill Country. Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he’s desperate for money–it’s not easy to find steady, safe work when you can’t provide references, you can’t stay in one place for long, and you’re paranoid that your past is creeping back up on you. When he comes across the strange ad for the Masson House in Degener, Texas, Eric thinks they may have finally caught a lucky break. The Masson property, notorious for being one of the most haunted places in Texas, needs a caretaker of sorts. The owner is looking for proof of paranormal activity. All they need to do is stay in the house and keep a detailed record of everything that happens there. Provided the house’s horrors don’t drive them all mad, like the caretakers before them. The job calls to Eric, not just because there’s a huge payout if they can make it through, but because he wants to explore the secrets of the spite house. If it is indeed haunted, maybe it’ll help him understand the uncanny power that clings to his family, driving them from town to town, making them afraid to stop running.
White Horse / Erika T. Wurth
Some people are haunted in more ways than one. Old denim jackets, ripped jeans, Stephen King novels, and the occasional beer at the White Horse Lounge have defined urban Indian Kari James’s life so far. But when her cousin Debby finds an old family bracelet that once belonged to Kari’s mother, it inadvertently calls up both her mother’s ghost and a monstrous entity, and her willful ignorance about her past is no longer sustainable. Haunted by visions of her mother and hunted by this mysterious creature, Kari must search for what happened to her mother all those years ago. Her father, permanently disabled from a car crash, can’t help her. Her Auntie Squeaker seems to know something, but isn’t eager to give it all up at once. Debby’s anxious to help, but her controlling husband keeps getting in the way. Kari’s journey towards a truth long-denied by both her family and law enforcement forces her to confront her dysfunctional relationships, her spiritual beliefs, and her desire for the one thing she’s always wanted but could never have.
Horrorstör / a novel by Grady Hendrix ; designed by Andie Reid ; illustrated by Michael Rogalski ; cover photography by Christine Ferrara
Something strange is happening at the Orsk furniture superstore in Cleveland, Ohio. Every morning, employees arrive to find broken Kjerring bookshelves, shattered Glans water goblets, and smashed Liripip wardrobes. Sales are down, security cameras reveal nothing, and store managers are panicking. To unravel the mystery, three employees volunteer to work a nine-hour dusk-till-dawn shift. In the dead of the night, they’ll patrol the empty showroom floor, investigate strange sights and sounds, and encounter horrors that defy the imagination.
The Shining / Stephen King
Jack Torrance’s new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he’ll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote . . . and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.
White Is for Witching / Helen Oyeyemi
“Miranda is at home—homesick, home sick …”
As a child, Miranda Silver developed pica, a rare eating disorder that causes its victims to consume nonedible substances. The death of her mother when Miranda is sixteen exacerbates her condition; nothing, however, satisfies a strange hunger passed down through the women in her family. And then there’s the family house in Dover, England, converted to a bed-and-breakfast by Miranda’s father. Dover has long been known for its hostility toward outsiders. But the Silver House manifests a more conscious malice toward strangers, dispatching those visitors it despises. Enraged by the constant stream of foreign staff and guests, the house finally unleashes its most destructive power.
With distinct originality and grace, and an extraordinary gift for making the fantastic believable, Helen Oyeyemi spins the politics of family and nation into a riveting and unforgettable mystery.
Slade House / David Mitchell
Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House: a surreal place where visitors see what they want to see, including some things that should be impossible. Every nine years, the house’s residents–an odd brother and sister–extend a unique invitation to someone who’s different or lonely: a precocious teenager, a divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late.
Gallows Hill / Darcy Coates
The Hull family has owned the Gallows Hill Winery for generations, living and working on the beautiful grounds where they grow their famous grapes. However, there’s something at play on the property, and the locals whisper that the site of the old prison yard, located on what is now winery property, is cursed. Margot, daughter of the winery owners, has not seen her childhood home in years, but when Margot’s parents die unexpectedly, she inherits the house, the winery, and all of her family’s secrets. Now that she’s alone on the sprawling, dilapidated property, she begins to believe the curse is more than real… and that she may be the next victim of the house that never rests.
Nothing but Blackened Teeth / Cassandra Khaw
Cassandra Khaw’s Nothing But Blackened Teeth is a gorgeously creepy haunted house tale, steeped in Japanese folklore and full of devastating twists. A Heian-era mansion stands abandoned, its foundations resting on the bones of a bride and its walls packed with the remains of the girls sacrificed to keep her company. It’s the perfect venue for a group of thrill-seeking friends, brought back together to celebrate a wedding. A night of food, drinks, and games quickly spirals into a nightmare as secrets get dragged out and relationships are tested. But the house has secrets too. Lurking in the shadows is the ghost bride with a black smile and a hungry heart. And she gets lonely down there in the dirt. Effortlessly taking the classic haunted house story and turning it on its head, Nothing but Blackened Teeth is a sharp and devastating exploration of grief, the parasitic nature of relationships, and the consequences of our actions.
Kill Creek / Scott Thomas
At the end of a dark prairie road, nearly forgotten in the Kansas countryside, is the Finch House. For years it has remained empty, overgrown, abandoned. Soon the door will be opened for the first time in decades. But something is waiting, lurking in the shadows, anxious to meet its new guests … When best-selling horror author Sam McGarver is invited to spend Halloween in one of the world’s most infamous haunted houses, he reluctantly agrees. At least he won’t be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.
Shutter / Ramona Emerson
Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases-she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook. As a lone portal back to the living for traumatized spirits, Rita is terrorized by nagging ghosts who won’t let her sleep and who sabotage her personal life. Her taboo and psychologically harrowing ability was what drove her away from her hometown on the Navajo reservation, where she was raised by her grandmother. It has isolated her from friends and gotten her in trouble with the law. And now it might be what gets her killed. When Rita is sent to photograph the scene of a supposed suicide on a highway overpass, the furious, discombobulated ghost of the victim-who insists she was murdered-latches onto Rita, forcing her on a quest for revenge against her killers, and Rita finds herself in the crosshairs of one of Albuquerque’s most dangerous cartels. Written in sparkling, gruesome prose, Shutter is a blood-chilling debut from one of crime fiction’s most powerful new voices.
The Hollow Kind / Andy Davidson
Nellie Gardner is looking for a way out of an abusive marriage when she learns that her long-lost grandfather, August Redfern, has willed her his turpentine estate. She throws everything she can think of in a bag and flees to Georgia with her eleven-year-old son, Max, in tow. It turns out that the estate is a decrepit farmhouse on a thousand acres of old pine forest, but Nellie is thrilled about the chance for a fresh start for her and Max, and a chance for the happy home she never had. So it takes her a while to notice the strange scratching in the walls, the faint whispering at night, how the forest is eerily quiet. But Max sees what his mother can’t: They’re no safer here than they had been in South Carolina. In fact, things might even be worse. There’s something wrong with Redfern Hill. Something lurks beneath the soil, ancient and hungry, with the power to corrupt hearts and destroy souls. It is the true legacy of Redfern Hill: a kingdom of grief and death, to which Nellie’s own blood has granted her the key.
The Grip of It / Jac Jemc
Julie and James settle into a house in a small town outside the city where they met. The move–prompted by James’s penchant for gambling, his inability to keep his impulses in check–is quick and seamless; both Julie and James are happy to leave behind their usual haunts and start afresh. But this house, which sits between lake and forest, has plans for the unsuspecting couple. As Julie and James try to settle into their home and their relationship, the house and its surrounding terrain become the locus of increasingly strange happenings. The architecture–claustrophobic, riddled with hidden rooms within room–becomes unrecognizable, decaying before their eyes. Stains are animated on the wall–contracting, expanding–and map themselves onto Julie’s body in the form of bruises; mold spores taint the water that James pours from the sink. Together the couple embark on a panicked search for the source of their mutual torment, a journey that mires them in the history of their peculiar neighbors and the mysterious residents who lived in the house before Julie and James. Written in creepy, potent prose, The Grip of It is an enthralling, psychologically intense novel that deals in questions of home: how we make it and how it in turn makes us, inhabiting the bodies and the relationships we cherish.
Dead Silence / S. A. Barnes
Investigating a strange distress signal, Claire Kovalik and her crew discover a luxury space-liner that vanished 20 years prior and board the vessel to find words scrawled in blood, strange movements and whispers in the dark. Claire Kovalik is days away from being unemployed– made obsolete– when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate. What they find at the other end of the signal is a shock: the Aurora, a famous luxury space-liner that vanished on its maiden tour of the solar system more than twenty years ago. A salvage claim like this could set Claire and her crew up for life. But a quick trip through the Aurora reveals something isn’t right. Whispers in the dark. Flickers of movement. Words scrawled in blood. Claire must fight to hold onto her sanity and find out what really happened on the Aurora, before she and her crew meet the same ghastly fate.
Anna Dressed in Blood / Kendare Blake
For three years, seventeen-year-old Cas Lowood has carried on his father’s work of dispatching the murderous dead, traveling with his kitchen-witch mother and their spirit-sniffing cat, but everything changes when he meets Anna, a girl unlike any ghost he has faced before.
Theme Music / T. Marie Vandelly
For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter. Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in, re-creating a macabre decor with her family’s salvaged furniture. But as the ghosts of her family seemingly begin to take up residence in the home that was once theirs, Dixie starts to question her own sanity and wonders if the evil force menacing her is that of her father, or a demon of her own making. In order to make sense of her present, Dixie becomes determined to unravel the truth of her past and seeks out the detective who originally investigated the murders. But the more she learns, the more she opens up the uncomfortable possibility that the sins of her father may belong to another, and, perhaps most tragically, to Dixie herself. As bodies begin to pile up around her, Dixie must find a way to expose the lunacy behind her family’s massacre and redeem what little remains of her soul.
To find more great books, go to our book recommendation page and browse book lists created by the librarians at Robbins.