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The wind knows my name / Isabel Allende ; translated from the Spanish by Frances Riddle
This powerful and moving novel from the New York Times bestselling author of A Long Petal of the Sea weaves together past and present, tracing the ripple effects of war and immigration on one child in Europe in 1938 and another in the United States in 2019. Vienna, 1938. Samuel Adler was six years old when his father disappeared during Kristallnacht–the night their family lost everything. Samuel’s mother secured a spot for him on the last Kindertransport train out of Nazi-occupied Austria to the United Kingdom, which he boarded alone, carrying nothing but a change of clothes and his violin. Arizona, 2019. Eight decades later, Anita Diaz, a blind seven-year-old girl, and her mother board another train, fleeing looming danger in El Salvador and seeking refuge in the United States. However, their arrival coincides with the new family separation policy, and Anita finds herself alone at a camp in Nogales. She escapes through her trips to Azabahar, a magical world of the imagination she created with her sister back home. Anita’s case is assigned to Selena Durán, a young social worker who enlists the help of a promising lawyer from one of San Francisco’s top law firms. Together they discover that Anita has another family member in the United States: Leticia Cordero, who is employed at the home of now eighty-six-year-old Samuel Adler, linking these two lives. Spanning time and place, The Wind Knows My Name is both a testament to the sacrifices that parents make and a love letter to the children who survive the most unfathomable dangers–and never stop dreaming.
Silver nitrate / Silvia Moreno-Garcia
Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood. Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives–even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed. Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse…but Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend. As they work together to unravel the mystery of the film and the obscure occultist who once roamed their city, Montserrat and Tristán may find that sorcerers and magic are not only the stuff of movies.
The sun and the void / Gabriela Romero Lacruz
When Reina arrives at Aguila Manor, her heart stolen from her chest, she’s on the verge of death-until her estranged grandmother, a dark sorceress in the Don’s employ, intervenes. Indebted to a woman she never knew, and smitten with the upper-caste daughter of the house, Celeste, Reina will do anything to earn-and keep-the family’s favor. Even the bidding of the ancient god who speaks to her from the Manor’s foundations. To save the woman she loves, Reina will have to defy the gods themselves, and become something she never could have imagined.
Family lore / Elizabeth Acevedo
Sisters Matilde, Pastora, Camila, and Flor thought they knew each other well, until Flor–inspired by a documentary her daughter Ona made her watch–decides she wants a living wake, a party to bring her family and community together and celebrate the long life she’s led, while she’s still around to enjoy it. She’s not ill, as far as anybody knows, but Flor does have a gift: she can predict, to the day, when someone will die. Has she foreseen her own death, or someone else’s, or does she have other motives? She refuses to say. But Flor isn’t the only person with secrets. Matilde has tried for decades to cover the extent of her husband’s infidelity, but she now must confront the true state of her marriage. Pastora is typically the most reserved sister, but Flor’s wake motivates this driven woman to attempt to solve her sibling’s problems. And the next generation, cousins Ona and Yadi, face tumult of their own: Yadi, reuniting with her first love, who was imprisoned when they were both still kids; and Ona, married for years and attempting to conceive. Ona must decide whether it’s worth it to keep trying-in having a child, and in the anthropology research that’s begun to feel lackluster. Spanning the three days prior to the wake, FAMILY LORE traces the lives of each of the Marte women, weaving together past and present, the Dominican Republic and New York City. Told with Elizabeth Acevedo’s inimitable voice, this is an indelible portrait of sisters and cousins, aunts and nieces–one family’s journey through their history helping them better navigate all that is to come.
Vampires of El Norte / Isabel Cañas
As the daughter of a rancher in 1840s Mexico, Nena knows a thing or two about monsters–her home has long been threatened by tensions with Anglo settlers from the north. But something more sinister lurks near the ranch at night, something that drains men of their blood and leaves them for dead. Something that once attacked Nena nine years ago. Believing Nena dead, Néstor has been on the run from his grief ever since, moving from ranch to ranch working as a vaquero. But no amount of drink can dispel the night terrors of sharp teeth; no woman can erase his childhood sweetheart from his mind. When the United States attacks Mexico in 1846, the two are brought abruptly together on the road to war: Nena as a curandera, a healer striving to prove her worth to her father so that he does not marry her off to a stranger, and Néstor as a member of the auxiliary cavalry of ranchers and vaqueros. But the shock of their reunion–and Nena’s rage at Néstor for seemingly abandoning her long ago–is quickly overshadowed by the appearance of a nightmare made flesh. And unless Nena and Néstor work through their past and face the future together, neither will survive to see the dawn.
Where there was fire / John Manuel Arias
In John Manuel Arias’s lush and lyrical debut, a Costa Rican family wrestles with the aftermath of neocolonialism, a deadly secret, and an all-consuming fire. Costa Rica, 1968. When a lethal fire erupts at the American Fruit Company’s most lucrative banana plantation burning all evidence of a massive cover-up, the future of Teresa Cepeda Valverde’s family is changed forever. Now, twenty-seven years later, Teresa and her daughter Lyra are still picking up the pieces. Lyra wants nothing to do with Teresa, but is desperate to find out what happened to her family that fateful night. Teresa, haunted by a missing husband and the bitter ghost of her mother, Amarga, is unable to reconcile the past. What unfolds is a story of a mother and daughter trying to forgive what they do not yet understand, and the mystery at the heart of one family’s rupture, steeped in machismo, jealousy, labor uprisings, and the havoc wreaked by banana plantations in Central America. Brimming with ancestral spirits, omens, and the anthropomorphic forces of nature, John Manuel Arias weaves a brilliant tapestry of love, loss, secrets, and redemption. Set in Costa Rica between 1968 and the mid-1990s, Where There Was Fire paints a vivid portrait of the ways in which agribusiness and international exploitation are intertwined with one family’s fate.
The house in the pines / Ana Reyes
A captivating psychological suspense debut about a young woman still haunted by her teenage best friend’s death who learns of an eerily similar death and must find her way back to a cabin in the New England woods, armed only with hazy memories, to finally find out the truth that has eluded her. Maya was a high school senior when her best friend Aubrey mysteriously dropped dead in front of the enigmatic man, Frank, they’d been hanging around with all summer. Seven years later, Maya is just managing to move on; she lives in Boston with a loving boyfriend and is finally kicking the secret Klonopin habit that’s allowed her to cope with what happened all those years ago. But her past comes back to haunt her when she discovers a recent YouTube video in which a young woman suddenly keels over in a diner sitting across from none other than Frank. Plunged back into the trauma that has defined her life, Maya heads to her small Berkshires hometown to finally figure out the truth about what happened. With guidance from the half-written book by the father in Guatemala she never knew, Maya’s quest for answers forces her to relive that fateful summer-the influence Frank once had on her and the jealousy that nearly destroyed her friendship with Aubrey-finally leading her back to Frank’s cabin in the woods. The House in the Pines is an utterly unique and surprising thriller about the subtlety of memory and manipulation, confronting the past, and the powerful and lasting bonds of family and friendship.
What happened to Ruthy Ramirez / Claire Jiménez
The Ramirez women of Staten Island orbit around absence. When thirteen year old middle child Ruthy disappeared after track practice without a trace, it left the family scarred and scrambling. One night, twelve years later, oldest sister Jessica spots a woman on her TV screen in Catfight, a raunchy reality show. She rushes to tell her younger sister, Nina: This woman’s hair is dyed red, and she calls herself Ruby, but the beauty mark under her left eye is instantly recognizable. Could it be Ruthy, after all this time? The years since Ruthy’s disappearance haven’t been easy on the Ramirez family. It’s 2008, and their mother, Dolores, still struggles with the loss, Jessica juggles a newborn baby with her hospital job, and Nina, after four successful years at college, has returned home to medical school rejections and is forced to work in the mall folding tiny bedazzled thongs at the lingerie store. After seeing maybe Ruthy on their screen, Jessica and Nina hatch a plan to drive to where the show is filmed in search of their long lost sister. When Dolores catches wind of their scheme, she insists on joining, along with her pot-stirring holy roller best friend, Irene. What follows is a family road trip and reckoning that will force the Ramirez women to finally face the past and look toward a future-with or without Ruthy in it. What Happened to Ruthy Ramirez is a vivid family portrait, in all its shattered reality, exploring the familial bonds between women and cycles of generational violence, colonialism, race, and silence, replete with snark, resentment, tenderness, and, of course, love.
The people who report more stress : stories / Alejandro Varela
The People Who Report More Stress is a collection of connected stories examining issues of parenting, systemic and interpersonal racism, and class conflict in gentrified Brooklyn.
Carmen and Grace / Melissa Coss Aquino
Carmen and Grace have been inseparable since they were little girls–more like sisters than cousins, survivors of a childhood marked by neglect and addiction and a system that never valued them. For too long, all they had was each other. That is, until Doña Durka swept into their lives and changed everything, taking Grace into her home, providing stability and support, and playing an outsize role in Carmen’s upbringing too. Durka is more than a beneficent force in their Bronx neighborhood, though. She’s also the leader of an underground drug empire, a larger-than-life matriarch who understands the vital importance of taking what power she can in a world too often ruled by violent men. So, when Durka dies suddenly under mysterious circumstances, Carmen and Grace’s lives are thrown into chaos. Grace has been primed to take over and has grand plans to expand the business. While Carmen is ready to move on–from the shadow of Durka and her high expectations and, most of all, from always looking over her shoulder in fear. She’s also harboring a secret: she’s pregnant and starting to show, and desperate to build a new life before the baby arrives. But how can Carmen leave the only family she’s ever known–this tight sisterhood of women known as the D. O. D., a group of lost girls turned skilled professionals under Durka’s guiding hand, all bonded in their spirituality and merciless support for one another–especially now, when outside threats are circling, and Grace’s plans are speeding recklessly forward? As tough and tender as its main characters, Carmen and Grace will grab readers from the first page with its raw beauty, depth of feeling, and heart-pounding plot. A moving meditation on the choices of women and the legacy of violence, it’s a devastatingly wise and intimate story about the bonds of female friendship, ambition, and found family.
The haunting of Alejandra / by V. Castro
Alejandra no longer knows who she is. To her husband, she is a wife, and to her children, a mother. To her own adoptive mother, she is a daughter. But they cannot see who Alejandra has become: a woman struggling with a darkness that threatens to consume her. Nor can they see what Alejandra sees. In times of despair, a ghostly vision appears to her, the apparition of a crying woman in a ragged white gown. When Alejandra visits a therapist, she begins exploring her family’s history, starting with the biological mother she never knew. As she goes deeper into the lives of the women in her family, she learns that heartbreak and tragedy are not the only things she has in common with her ancestors. Because the crying woman was with them, too. She is La Llorona, the vengeful and murderous mother of Mexican legend. And she will not leave until Alejandra follows her mother, her grandmother, and all the women who came before her into the darkness. But Alejandra has inherited more than just pain. She has inherited the strength and the courage of her foremothers–and she will have to summon everything they have given her to banish La Llorona forever.
Las madres / Esmeralda Santiago
They refer to themselves as “las Madres,” a close-knit group of women who, with their daughters, have created a family based on friendship and blood ties.Their story begins in Puerto Rico in 1975 when fifteen-year-old Luz, the tallest girl in her dance academy and the only Black one in a sea of petite, light-skinned, delicate swans, is seriously injured in a car accident. Tragically, her brilliant, multilingual scientist parents are both killed in the crash. Now orphaned, Luz navigates the pressures of adolescence and copes with the aftershock of a brain injury, when two new friends enter her life, Ada and Shirley. Luz’s days are consumed with aches and pains, and her memory of the accident is wiped clean, but she suffers spells that send her mind to times and places she can’t share with others. In 2017, in the Bronx, Luz’s adult daughter, Marysol, wishes she better understood her. But how can she when her mother barely remembers her own life? To help, Ada and Shirley’s daughter, Graciela, suggests a vacation in Puerto Rico for the extended group, as an opportunity for Luz to unearth long-buried memories and for Marysol to learn more about her mother’s early life. But despite all their careful planning, two hurricanes, back-to-back, disrupt their homecoming, and a secret is revealed that blows their lives wide open. In a voice that sings with warmth, humor, friendship, and pride, celebrated author Esmeralda Santiago unspools a story of women’s sexuality, shame, disability, and love within a community rocked by disaster.
Vanishing maps / Cristina GarcÃa
Celia del Pino, the matriarch of a far-flung Cuban family, has watched her descendants spread out across the globe, struggling to make sense of their transnational identities and strained relationships with one another. In Berlin, the charismatic yet troubled Ivanito performs on stage as his drag queen persona, while being haunted by the ghost of his mother. Pilar Puente, adrift in Los Angeles, is a struggling sculptor and the single mother of a young son. In Moscow, Ivanito’s cousin Irina has become the wealthy owner of a lingerie company, but she remains deeply lonely in the wake of her parents’ deaths and her estrangement from her Cuban heritage. Meanwhile, in Havana, Celia prepares to reunite with her lost lover, Gustavo, and wonders whether age and the decades spent apart have altered their bond.
Cut off from their Cuban roots, yet still feeling the island’s ineluctable pull, Ivanito and his extended family try to reimagine where–and with whom–they belong. Over the course of a momentous year, each will grapple with their histories as they are pulled to Berlin for a final, explosive reunion.
Ana MarÃa and the fox / Liana de la Rosa
A marriage of convenience between a Mexican heiress and a shrewd London politician makes for a scandalous Victorian bargain-and a love that will eclipse the burdens of ambition and duty. Ana MarÃa Luna Valdés has strived to be the perfect daughter, the perfect niece, and the perfect representative of the powerful Luna familia. So, when Ana MarÃa is secretly sent to London with her sisters to seek refuge during the French occupation of Mexico, she experiences her first taste of freedom far from the judgmental eyes of her domineering father. If only she could ignore the piercing looks she receives across ballroom floors from the austere Mr. Fox. Gideon Fox elevated himself from the London gutters with a burning desire for more: more opportunities, more choices. Now as a member of Parliament, Gideon’s on the cusp of securing the votes he needs to put forth a vote on the abolishment of the Atlantic slave trade-a cause that is close to his heart as the grandson of a formerly enslaved woman. A proper English bride would certainly aide his task but it’s the sweetly vexing Ana MarÃa who inflames him. But when Ana MarÃa finds herself in the crosshairs of a nefarious nobleman with his own political agenda, Gideon sacrifices his goal to offer his hand as protection…but will this Mexican heiress take his heart as well?
The faraway world : stories / Patricia Engel
The Faraway World is a collection of arresting stories from the New York Times bestselling author of Infinite Country, Patricia Engel, “a gifted storyteller whose writing shines even in the darkest corners” (The Washington Post). Intimate and panoramic, these stories bring to life the liminality of regret, the vibrancy of community, and the epic deeds and quiet moments of love.
Monstrilio / Gerardo Sámano Córdova
Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago’s lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family’s decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses–though curbed by his biological and chosen family’s communal care–threaten to destroy this fragile second chance at life.
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